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    1. #71
      It's so fluffy!
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      Quote Originally Posted by Achuthan View Post

      Vasthavam earned him state award rite? Ennirunalum avar almost ela padathilum orumichund...
      Lol, So? KM was der, Sidhu Menon was der!

      Its obvious they both like each other .. [ which I wished wasnt true .. because I dont like that dead body ]


    2. #72
      Phone Tu
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      thanks Panks..
      Don't ever let that set into your brains
      Don't ever let that set your standards
      And don't ever let that deceive your discretions
      Quote Originally Posted by IddukI GolD View Post

      Fontu is god if nostalgia is a religion..
      Quote Originally Posted by Mallik Bhai View Post

      yes it is

    3. #73
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      Quote Originally Posted by Fontu View Post
      thanks Panks..
      BG kaanan poyille

    4. #74
      SS Ramesis
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      Thanks Pankan, I was waiting for the review. Pakshe ithum mosham anallalo.............!! Eni oru award kitumbol pinneyum alkar cd eduthu kanum and will say BRILLIANT movie..!!

    5. #75
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      Quote Originally Posted by kuttoos View Post

      BG kaanan poyille
      illilla..BGyonnum ente listil undarunnilla...
      pokunnilla ennu paranjapo ellavarum as usual kure padangalude peru paranju chirichu...
      ipo enthayi..!!
      Don't ever let that set into your brains
      Don't ever let that set your standards
      And don't ever let that deceive your discretions
      Quote Originally Posted by IddukI GolD View Post

      Fontu is god if nostalgia is a religion..
      Quote Originally Posted by Mallik Bhai View Post

      yes it is

    6. #76
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      Punyam Aham Review - Malayalam Movie Review by VN
      ( Again trash 1.5 stars)
      By VN Sun, 24 Jan 2010
      It takes a while for the first frame of Raj Nair's 'Punyam Aham' to unfold on screen. What follows is a long, tiring expedition of Narayanan (Prithviraj); a dejected man in his mid twenties who digs back to his roots, on an identity quest.

      The film brings to mind a pertinent question as to what the purpose of cinema is. I am with those that believe that it should probably at least attempt to communicate with someone who decides to watch it. This is precisely the reason why someone decides to hold a show of his film for an audience. Hence, sans this very important communiqué, it resembles a sputtering worn-out radio that lies in a deserted ditch, with those occasional crackling sounds breaking the silence around.

      The issues that bring about this total rupture in communication are several. The scenes for one are entirely disjointed. Most of the time they have no rational continuity, and seem to be placed together simply because they have to be somewhere. The film on the whole adopts a manner that pooh-poohs explanations and none of them are offered whatsoever.

      Evidently, the questions that it leaves behind are numerous. I am not suggesting that the film should provide answers to the same, but when there are merely questions and not even a remote illumination in sight, I presume that something is wrong. The exasperation is bound to creep in, since you get tired of holding the puzzle pieces for a long time, and finally realize that they were never expected to fit in.

      There are several instances when Jayasri (Samvritha) comments that she doesn't understand most of what Narayanan is telling her. Obviously she has got company, since most of his utterances are lost on us as well, and there is very little that we can make out from his extremely puzzling statements. After a while, one just loses interest, having taxed his brain beyond limits to make sense out of this conversation that appears to be happening on another plane altogether.

      Perhaps it has important things to say, but there is very little of it on show, except a few bizarre touches here and there, that unfortunately do not even leave a mark. The dialogues often appear synthetic. I shudder to think that there are people around, who actually speak the way they do in this film. I mean, you sit around a table having dinner with your family, and start chattering like the curtain has just gone up and you are on stage. Tailor cut sentences that make their way out are

      Prithviraj must obviously have found some promise in what the film offered; indeed, Narayanan is a far cry from the stereotypes that he gets to play in the commercial format. But I guess, he deserves much more than what he gets to chew here. Samvritha delivers the essential mood of confusion in her portrayal.

      Punyam Aham puts in a little bit of everything, be it philosophy, activism or satire, and forgets to stir them up. Sometimes hysterical and sometimes too soundless, it hence falls short both as advocacy and amusement.

    7. #77
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      Quote Originally Posted by Fontu View Post

      illilla..BGyonnum ente listil undarunnilla...
      pokunnilla ennu paranjapo ellavarum as usual kure padangalude peru paranju chirichu...
      ipo enthayi..!!

      Happy hasbandsinnu pokuu.........

    8. #78
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      Panka ..... enthonnu review ado edu......... padathintedu pole thanne analooo.....

      Adyalum nee ticket eduthu kandallooo.....ninneyokke......

    9. #79
      Our Short Film....
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      Thanks Pankan.. BG pole ithu viswasaneeyam alle?


    10. #80
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      appol 2010 le state & national awards raju monu sontham

      Thanx pankan

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